It's been a few hours since I listened to this and I'm still not sure how much I like it. Much like the Pogues album which came before, it took a while to grow on me.
'If you wanna do it, do it right, right, do it with me.' sang Lenny Cohen and George Michael on the smash hit 'I'm Your Man' - the title track of this album.
Though not as immediate as the previous album from the Pogues, I really warmed to this towards the end. I was particularly impressed with the one about emigrating to the USA.
Pet Shop Boys succesfully marry the great combination of fantastic lyrics and fantastic melodies.If I didn't already own a PSB compilation I'd buy this.
I've never heard of the Triffids before this, but it seems Bad Seeds' Martyn Casey was their bassist so they get points for that. They also get marks for a very good album.
My favourite thing about this album is not the content (which is awful), it's the fact that the original band split up halfway through recording, so the two sides are essential two different bands. I can only assume the band realised how shit they were and split up halfway through.
Years before Jack and Meg made male/female duets popular again Jesus and Mary Chain were deep-fried hit from north of the wall. Darklands isn't as well known and Psychocandy, and the VU/Glasvegas comparisons aren't as strong here, but this is still a solid album.
This is the kind of tango I recognise. Wikipedia refuses to recognise this album too, which is possibly a first. The album isn't terrible, but the music is forgettable.
You'd expect a band with a juvenile name to release an album of juvenile music. And you'd be right. Beavis and Butthead favourites are never going to be mine.
Following the success of the Mercy Brothers in the early 80s, their sisters decided to form a band for themselves. Floodland is the second album they released.
This album feels like a throwback to the early 80s, which kinda suggests Depeche Mode were the only band to survive from the synthpop revolution. I certainly can't imagine OMD or The Human League feauturing in this book again.
Once again Prince Rogers Nelson manages to impress with an album packed with originality. Perhaps it's not as immediate as his earlier offerings - due to the lack of recognisable songs - but it's still a belter.
The album cover epitimises the 1980s in how bad it is. It looks like the kind of album you'd find in a charity shop, especially with Dot Cotton stood in the middle. Having said that, it is a lovely album.
Fans of The Wire may recognise Steve Earle as a minor character from that show. I didn't. This is a fairly good country album which doesn't really do anything to elevate it.
After being disappointed by Paul Simon's two solo offerings thus far, it was good to know that 'Graceland' deserves the plaudits it has often recieved. I was worried it may have dated, but it doesn't seem to have done.
Why do we have to suffer through so many terrible metal albums, I hear myself ask. As terrible as I found this album, I am thankful that it was mercifully short. Therefore, I will be generous with my rating.
I'm fairly sure there's a number of Sonic Youth albums in this book, which could be a cause for concern considering I've never really (knowingly) heard any of their stuff.
Billy Bragg is never going to win awards for his singing, but when has that ever stopped me from enjoying somebody? The only problem is that the 'political' songs come nowhere near to the quality you'd expect.
We've not had a country album for a long time (or at least it seems that way), but now we have one of the nicest discoveries of the 80s. The album is considered to be one of the first alt-country albums, but despite is quality didn't do a thing commercially.
There is a fine line between remarkable and forgettable, and The The tread this line very well. Ask anybody under the age of 35 and I guarantee they will not be able to name more than two songs by the band.
About ten years ago I was (un)fortunate enough to see Metallica headline Reading Festival. I stood very much near the back. The only song I recognised was 'Enter Sandman', which sounded nothing like The Chordettes version. 'Master of Puppets' is the first of four Metallica albums on this list, and they are possibly the most represented 'metal' band in the book. I like this more than a few people who have written.
The most interesting thing about this album is how much it reminds you of the past and the future. Another pioneering hip-hop record from the early days, though perhaps no longer an essential purchase.
A few years ago I bought the first handful of Elvis Costello albums, up to (but not including) this one. As much as I admire most of what I have by him, this isn't a record which impresses as much as his earlier offerings.
Having listened to this album a few days ago, I can't really remember too much about it. Suffice to say, it didn't really thrill me so I'll give it an average six out of ten.